观看记录 清空
    • 视频
    • 明星
    正在加载中...
    ×

    如有无法播放请切换视频解析接口

    权限验证通过

    提示:购买VIP会员组,享受超级权限,谢谢支持。

    • 最后的列车HD
    • 播放地址
    • 剧情简介
    • 报错
    7.0 HD

    最后的列车

    查看详情

    手机浏览器扫码看大片

    当前网页二维码

    "Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.

    猜你喜欢

    本站所有资源搜集于互联网,我们不储存任何资源。仅提供个人用户测试宽带使用,版权归原电影公司所有。

    新视觉影视 www.dianshizb.com